Relatively Easy

It may seem like I only do anthotypes. My studio practice lately seems to confirm this. It is summertime and the anthotypes are easy. Relatively. 

I just rediscovered my second stash of spring clamps which means that I can put together a lot of anthos at once. One of the pigments I am working with comes from some old beet root bits like the root and just below the stalk. It is a relatively fast pigment. In the picture below, the new anthotype just went out this morning around 9 am. The bedjacket anthotype on the right has been getting sun off and on since last Friday at 10 am.

There may be quite a few of the square ones this summer. So far I like the shape better than the long rectangle. 

Bed Jackets Times Two

It is difficult to know where to start, when I haven't blogged about my making in three months. 

I am currently using red tulip petals collected during early May. Truly gleaned because allof the petals were on the ground. The ones that were too damp, we're cleaned in water and ground up in a mortar and pestle. That first red tulip anthotype of the year was one of two images I've made involving two bed jackets. The exposure was stopped late last month and is a bit more narrative than the first double bad jacket image (made from yellow onion skin). 

Below are both of the images. Top: yellow onionskin "Two Bed Jackets". Bottom image: "Puppet Show" in acidified red tulip.

sleepwear 2.0 with chiffon

A few days ago I was thinking about the sleepwear anthotypes. Thinking about how they are rather uncomplicated. Basic photograms done with plant pigments. This probably stemmed from one of the onionskin anthotypes I did this winter. While it succeeded, it also seemed like it was one note. It was too simple and the single layer of pajama top I used didn't immediately read "sleepwear".

Last summer, Bridgette was asking provocative questions as she is apt to do. One of these questions related to the layering of color. One on top of the other. I was initially convinced that the water content of the successive layer would wash away the anthotype exposure underneath much like invasive rain water had done to a couple of anthos.

A few weeks ago I was actually layering beet root juice (from a can) on top of existing onionskin and it didn't have an effect on the layer below. Both remained distinct which led me to the idea of layering exposures one on top of the other.

Here's a couple of images to illustrate where this is heading. I am heading towards anthotypes 2.0 which involves the layering of his and her sleepwear in the final anthotype.

Below is the aforementioned onionskin anthotype with one layer of rose petal emulsion on top.

Below is the same anthotype with three layers of red rose petal emulsion. The light resist is a bed jacket donated by Kristi Bogle which has a connection to the Roswell museum of art.