when papers go bad

Handmade papers like washi have always presented challenges for me, the handcoating emulsion dude. Did they have enough size? Would the paper fibers cooperate with the chemistry? One paper would work well with Vandyke brown, actually really well, but be horrible with cyanotype. 

The latest struggle was when a good paper turned bad. For the last six or seven months I have been struggling with a change in my favorite paper. When I first started using the Kozo Unryu paper there sometimes were 2-4 pinholes on half a full sheet but the last batch would have 15 to 20. These pinholes would act like a drain in a sink by pulling the photo chemistry I was applying out the back side of the paper. The result was a larger, lighter spot on the front of the paper. On the backside of the paper, corresponding ovals of chemistry would show up, evidence of the drain effect. These would process out after fixing the image but the light spots on the front would remain.

When I first started using the paper, I could easily spot 1-4 spots that would occasionally show up. But the lates batch would easily result in up to 12 or 15 light spots that were too much for me to carefully touch up.

I was taking a shower (I do some of my best problems solving in the bathroom) and was thinking about an image I was working with in gum and remembered that I had been coating that paper with an acrylic solution to create a barrier to prevent staining. Or maybe I was thinking about the shower drain and how the vandyke brown solution was getting pulled from one side of the paper to the other. Something "clicked" and a solution was realized.  I realized all I had to do was to coat the back side of the paper with Gamblin PVA (not the glue but a related size). It created a barrier to keep the chemistry on the front side of the paper.

The pictures show the backside of an unsized sheet from earlier in the week (top) and a sized sheet from two days ago (bottom). Both prints in the images have not been "fixed" which allows the brown stain on the back to be better visualized.

Tonight I looked at the first one to be processed and dried. I can still see tiny dark specks on the back side of the paper but I have eliminated the larger light spots on the front.

Now I can get back to work with this paper.

newly emerged from the catacombs...

Some new Vandyke Browns I've been working on are visible below. The first has the incredibly provocative and imaginative title of Apple and the second, Knarled Nut. These are small work prints of about 9 x 9 inches done to determine exposure. The final scale should be either 20" x 20" or 24" x 24".

I can't stand the rain!

The title of today's blog is from a song lyric stuck in my head. Was it Ann Peebles that sang the most famous version of this song? Sure it dates me but it does speak volumes regarding the fugitive nature of this technique namely don't let the anthotype get wet.

Next Fall I hopefully will have an ample supply of pokeberry juice. At the moment I have two letter sized sheets coated as well as a larger piece in which is covered in diluted pokeberry juice. It is a light pink will probably create a low contrast, barely visible image unless I hit it with beet juice (somewhere in there is a double entendre). My hope is to give this some additional exposure, live with the drips and missing pokeberrry pigment (it will be visible, when done, below the collar).  There will be some noticeable mis-registration which will add to the ghosting effect.

two days of sun, two days of rain

This blog (such a nasty word) is, amongst other things, a Post-It note, bar napkin kind of thing for my working method and as of late it has been anthotype, anthotype, anthotype.

The big anthotype has gotten a good two days worth of sunshine on Friday and Saturday. The last two days have been cloudy and, especially today, wet! It should get about a full days worth of exposure on Wednesday but for now the tally is two days worth of backyard exposure for about 12 hours worth of direct sunlight.

and here's a picture of my hat to give you an idea of this morning's weather conditions.